Understanding Zohran Mamdani's Sartorial Statement: The Garment He Wears Reveals Regarding Contemporary Masculinity and a Changing Society.
Coming of age in the British capital during the 2000s, I was constantly surrounded by suits. You saw them on businessmen hurrying through the Square Mile. You could spot them on fathers in Hyde Park, playing with footballs in the golden light. At school, a inexpensive grey suit was our required uniform. Traditionally, the suit has served as a uniform of seriousness, signaling power and performance—qualities I was expected to aspire to to become a "man". Yet, before lately, my generation seemed to wear them infrequently, and they had largely disappeared from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an innovative campaign, he captivated the world's imagination like no other recent mayoral candidate. But whether he was cheering in a hip-hop club or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Loosely tailored, modern with soft shoulders, yet conventional, his is a typically professional millennial suit—well, as common as it can be for a generation that seldom bothers to wear one.
"This garment is in this strange place," notes style commentator Derek Guy. "It's been dying a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal locations: marriages, memorials, to some extent, court appearances," Guy states. "It's sort of like the kimono in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" Although the suit has traditionally signaled this, today it performs authority in the hope of gaining public trust. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it performs masculinity, authority and even closeness to power.
Guy's words stayed with me. On the infrequent times I require a suit—for a wedding or black-tie event—I retrieve the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel refined and high-end, but its tailored fit now feels passé. I imagine this sensation will be all too familiar for many of us in the diaspora whose families come from somewhere else, particularly global south countries.
Unsurprisingly, the working man's suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a specific cut can thus define an era—and feel quickly outdated. Take now: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. But the appeal, at least in some quarters, endures: recently, major retailers report suit sales increasing more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something exceptional."
The Symbolism of a Accessible Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's neither poor nor exceptionally wealthy." To that end, his moderately-priced suit will appeal to the group most inclined to support him: people in their thirties and forties, university-educated earning professional incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his stated policies—which include a rent freeze, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing this brand; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits naturally with that elite, just as more accessible brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a well-known leader's "shocking" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. As one UK leader discovered, the suit doesn't just dress the politician; it has the potential to characterize them.
The Act of Normality and A Shield
Perhaps the key is what one academic calls the "enactment of banality", invoking the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a studied modesty, neither shabby nor showy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. But, some think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in military or colonial administration." Some also view it as a form of protective armor: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders once wore three-piece suits during their early years. These days, certain world leaders have begun exchanging their typical military wear for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the struggle between insider and outsider is visible."
The attire Mamdani chooses is deeply symbolic. "Being the son of immigrants of Indian descent and a progressive politician, he is under scrutiny to meet what many American voters expect as a sign of leadership," notes one expert, while at the same time needing to navigate carefully by "not looking like an elitist betraying his non-mainstream roots and values."
But there is an sharp awareness of the different rules applied to suit-wearers and what is read into it. "This could stem in part from Mamdani being a millennial, able to assume different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and attire is typical," it is said. "White males can remain unremarked," but when women and ethnic minorities "seek to gain the power that suits represent," they must carefully negotiate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the dynamic between belonging and displacement, inclusion and exclusion, is visible. I know well the discomfort of trying to conform to something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, image is not without meaning.